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ACADEMIC EXPERIENCE

TAVU'I DR MARINA ALOFAGIA McCARTNEY

Screenwriter, Director, Producer and Scholar specialising in Moana Film Theory

Auckland, Aotearoa New Zealand

PROFILE

Tavu'i Dr Marina Alofagia McCartney (Sāmoa: Sāmoeleoi, Sālilomaiava; England: Geordie, Romanichal) is an award-winning screenwriter, director and scholar specialising in Moana (Pacific) film theory. She is the first Moana screenwriter and director in the world to complete a PhD specialising in Moana film theory. Her research articulates a distinctly Moana cinematic language, grounding film theory in a Moana worldview and theorising these concepts from within creative practice. Her scholarship and films contribute to global Indigenous cinema, offering a framework for how Pacific stories are crafted, held and witnessed on screen.

​

She is one of the most credited TV screenwriters for prime-time television, including My Life is Murder, Blue Murder Motel, and The Brokenwood Mysteries. She wrote and directed the Samoan vignette for the award-winning portmanteau film Vai (2019), which opened the NATIVe programme at the Berlinale and screened at SXSW, Edinburgh, Sydney and Melbourne. Her short film The Return (2026) is on the festival circuit and has screened at Māoriland Film Festival, Seattle International Film Festival, LA Asian Pacific Film Festival and the NZ International Film Festival (2026).

 

She taught and convened courses at the University of Auckland from 2013 to 2019 under Toeolesulusulu Professor Damon Salesa and Fonoiā Professor Jemaima Tiatai-Siau. Since 2019, she has taught screenwriting workshops, mentored emerging writers and designed development workshops and programmes for industry organisations including Script to Screen, Pacific Island Screen Artists (PISA), Women in Film & Television (WIFT) and Someday Stories. Over the same period, she has worked as a script, cultural, and funding assessor for the NZFC, NZ On Air, NZWG, Script to Screen, and others, completing hundreds of assessments across short, feature, and long-form projects. She has also received the top cultural Blues awards at both the University of Auckland and AUT.

RESEARCH OUTPUTS SUMMARY

  • Creative works (films): 5 films written and directed, including Vai (Berlinale 2019) and The Return (2026, PhD creative component)

  • Creative works (television): 3 produced prime-time television episodes, with further episodes in production (The Brokenwood Mysteries, Blue Murder Motel S2, On Call)

  • Scholarly publications: 1 journal article, 1 book chapter (Routledge), 1 journal article under review

  • Invited lectures and papers: 13, including an ASAO Distinguished Lecture (2021)

  • Industry: Berlinale, SXSW, Edinburgh and Seattle selections; multiple festival awards; funding and development assessor for NZFC and NZ On Air; festival juries

EDUCATION

2026

2012

2010

2009

PhD with Creative Practice, Auckland University of Technology

Thesis: O le Lagi. Ma le Lagi. Ma le Lagi. Moana Films and the Re-imaging of Belonging. Creative component: The Return (2026). Supervisors: Leali'ifano Professor Albert Refiti and Associate Professor Shuchi Kothari.

Master of Arts, First Class Honours (Screen Production), University of Auckland

Exegesis: Behind the Pasifika Lens. Creative component: Milk & Honey (2012).

Bachelor of Arts (Honours), First Class (Screen Production), University of Auckland

Creative component: Granda (2010).

Bachelor of Arts (Film, Television and Media Studies; Pacific Studies), University of Auckland

RESEARCH AREAS

  • Moana and Indigenous cinema; film form and aesthetics

  • Vā (relationality) as film grammar in writing and directing

  • Practice-led and Indigenous research methodologies (su'ifefiloi, tala fa'a'aiga)

  • Representation of Moana women on screen; the Dusky Maiden trope

  • Screenwriting and directing pedagogy for Moana and Indigenous practitioners

SCHOLARLY PUBLICATIONS

Under review

Under review

2025

2022

McCartney, M. A. Moana Cinema: film form and relational filmmaking. In P. Stupples, M. A. McCartney and E. Malifa (Eds.), The Contemporary Pacific: Special Issue on Pacific Film.

Guest co-editor (with P. Stupples and E. Malifa), The Contemporary Pacific, Special Issue on Pacific Film (in preparation).

McCartney, M. A., & Walker-Morrison, D. Waru (2017) and Vai (2019): Moana Sisters "doing it for themselves", each other, and their communities. In E. Blackmore, K. Knopf, W. G. Pearson and C. Wieser-Cox (Eds.), The Routledge Handbook of Indigenous Film (pp. 128 to 146). Routledge.

Ramones, I., McCartney, M. A., & Maden, M. Association for Social Anthropology in Oceania 2021 Conference Distinguished Lecture: Contemporary Filmmaking in Oceania. Oceania, 92(2), 172 to 194.

TEACHING EXPERIENCE

UNIVERSITY TEACHING

2018 - 2019

2013 - 2018

2015 - 2018

2013

2016 - 2018

2016 - 2018

2016 - 2018

2017

2010

2008 - 2009

ARTSCHOL 100: Arts Scholars 1. Professional Teaching Fellow, Course Co-convenor, Lecturer.

PACIFIC 100: Introduction to Pacific Studies; PACIFIC 105: The Contemporary Pacific. Professional Teaching Fellow, Course Coordinator and Lecturer, Pacific Studies, Faculty of Arts, University of Auckland

Curriculum design, delivery and assessment. Management of tutorial teams.

ARTSGEN 92: Māori and Pacific Worldviews. Course Co-convenor and Lecturer.

PACIFIC 100 and PACIFIC 105. Graduate Teaching Assistant.

Coordinator, then Manager, Vaka Moana Programme, Centre for Pacific Studies, University of Auckland

Designed and managed an academic enhancement programme grounded in Pasifika values of collectiveness, vā and reciprocity. Over 2000 voluntary participants (90% of Pasifika descent), with attendance and achievement above Faculty and University averages.

Undergraduate Advisor, Centre for Pacific Studies, University of Auckland

Academic pathway advice and pastoral care grounded in Pasifika values.

Member, Māori and Pacific Focus Group, BA Renewal, Faculty of Arts, University of Auckland

Contributed to the review and redesign of the Bachelor of Arts.

SEED Grant for Innovation in Teaching, University of Auckland

Graduate Teaching Assistant, FTVMS 100 and FTVMS 101 (Film, Television and Media Studies), University of Auckland

Tuakana Mentor, FTVMS 100 and FTVMS 101, University of Auckland

INVITED ADDRESSES, LECTURES AND CONFERENCE PAPERS

2023

2022

2021

2021

2020

2020

2020

2020

2020

2019

2019

2019

2018

"Pasifika Film Makers: Screening of Vai and Q&A". Talanoa, Narrative Muse and Pasifika Festival, Auckland.

"Story Sovereignty and Cultural Safety". Women in Film & Television NZ, Auckland.

"A Conversation on Islands of Resistance". Panel, Indiana University Cinema, Indiana, USA.

"Filmmaking in Oceania". Distinguished Lecture, ASAO Conference (online).

"The Return: Moana Films and the Re-imaging of Belonging in the Diaspora". Vā Moana Kai Korero, AUT, Auckland.

"Story Sovereignty, Intellectual Property, Cultural Safety and Meaningful Collaborations". Ngā Aho Whakaari, PASC and PISA, Auckland.

"Indigenous Women Filmmakers". Melbourne Women in Film Festival, Australia.

"Moana Cinema". Vā Moana session, ASAO Conference, Hilo, Hawai'i, USA.

"Moana Women in Film". The Soul & the Image: The Story of Film in the Pacific, ASAO Conference, Hilo, Hawai'i, USA.

"Tikanga Protocols in Practice: Feel the Fear and Do It Anyway". Power of Inclusion Summit, Auckland.

"Moana Cinema: Case Study Vai". Disentangling the European Gaze, University of Auckland.

​"Ngā Kāwai Ka Toro Ki Tawhiti: Exploring Ancestral Connections". NATIVE Minds, Māoriland Film Festival, Ōtaki.

"Tuning Away from the Zeitgeist". Big Screen Symposium, Auckland.

ACADEMIC AWARDS AND SCHOLARSHIPS

2023

2021

2020

2019

2019

2019 - 2022

2017

2012

2011

2010

2009

Dame Dorothy Winstone Doctoral Completion Award

Tagaloa Doctoral Scholarship, Ministry of Education

ASAO Pacific Islands Scholars Award

New Zealand Graduate Women Fellowship

AUT Artistic Performance of the Year; AUT Cultural and Artistic Blue Award

AUT Vice-Chancellor's Doctoral Scholarship

SEED Grant for Innovation in Teaching, University of Auckland

University of Auckland Blues Award for Most Meritorious Performance in Arts and Culture; Cultural Blues Award

University of Auckland Graduate Scholarship; Faculty of Arts Māori and Pacific Leadership Grant

University of Auckland Cultural Blues Award; Pacific Islands Polynesian Education Foundation Postgraduate Scholarship

Faculty of Arts Pacific Leadership Award; Māori and Pacific Graduate Scholarship; Kate Edgar Educational Charitable Trust Award; Senior Prize, Film, Television and Media Studies

REFEREES

Referees available on request.

© 2026 by Marina Alofagia McCartney. All Rights Reserved.

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